'Heidi'
warms the heart
Friday,
December 13, 2002
By Anna Rosenstein
I
never thought of "Heidi" as a Christmas story,
and it's not really. But in Prime Stage's current
production, director Penelope Miller Lindblom
demonstrates how nicely "Heidi" melds with the
holiday season.
The
story is set, of course, in the snowy Swiss Alps,
the ideal winter wonderland. Designer Pei-Chi
Su creates the perfect children's theater set,
simple and evocative. Snowflake cutouts and snowy
white pines dot the backdrop. The stage floor
is painted in a winding path that leads to the
house of Peter the goat herder and, farther on,
to Heidi's grandfather's house. This is elevated
so it seems both high in the mountains and isolated
from its surroundings. When Heidi arrives to live
with her grumpy grandfather, it's clear how alone
the two of them are and easy to see how they quickly
come to depend on one another.
Lindblom
heightens the emotional punch of an already sentimental
story by adding the talented voices of the Point
Park Singers. With a full choir of 45 under the
direction of Ricardo Tobia, including the occasional
strategically-placed soloist in the balcony, carols
surround the audience like the crisp winter air.
The songs often underscore stage action, as when
"Do You Hear What I Hear" ushers in Heidi's first
experience of the icy wind rushing through the
firs.
At
times, the juxtaposition of song and text nudge
Heidi a little too far toward a representation
of the Christ child. But perhaps it only seems
so because the parallels are already there. A
poor child with no money and little family seeks
shelter in the cold. She ends up teaching those
around her lessons about giving and caring. In
the text by Johanna Spyri, though not in this
abbreviated adaptation by Lucille Miller, Heidi
leads her ill-tempered grandfather back to both
the community and the church. Even without drawing
such clear allusions, there's certainly a more
general connection as a child, in her innocence,
awakens the spirit of love and charity in those
around her.
Lindblom
is especially adept at bringing to life these
joyous moments. Not satisfied to merely relate
the story, she celebrates its emotion with dance,
puppetry and mime. Goats frolic, seasons turn
and snow gently covers the mountains as the Storytellers,
Jenna Bull-Trombold, Jesse Corbin and Chelsey
Hughes, paint colorful images in graceful movement.
Emily
Gup is a feisty, lively and sensitive Heidi, pairing
nicely with Jack W. Burford's gruff yet lovable
Alm Uncle (Heidi's grandfather). The supporting
cast adds colorful characters to Heidi's world,
especially Michael O'Brien as the sassy goatherd,
Peter; Dennis Hruska as the kindly Mr. Seseman,
and Audrey Castracane as the uppity Miss Rottemeier.
Meredythe Kimmel is moving as Heidi's timid, wheelchair-bound
playmate, Klara, and Bethany Rice adds some laughs
as the flustered Aunte Dete and jumpy maidservant,
Tinette.
Throw
in some cuddly kittens courtesy of the Humane
Society and you've got a production that could
warm even the coldest winter heart.
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